![]() ![]() Map 11 - Gulf Coast Junction & Pierce Yardīelow from a page/screen capture in 2011, so I do not know how much of this information is still relevant. So far, I have the following detailed areas of Houston: In Smith county, so don't click on Tyler county) is at : Railroad structures in all of Texas (listed by county, ie: The city of Tyler is Websites and other additional information sources of interest for the area: When I last visited Houston inĢ006, the Union Pacific was in the process of replacing most of the old signals.Īt the bottom of the page are other mentioned railfan places NOT in Houston. "old" style signal of choice around here. Maybe a few here and there, that are searchlight signals, which seemed to be the Galveston also has a trolley system, which isĭifferent in the sense that they are diesel powered!Īnd speaking of signals, everything in Houston is color light signals, with The Galveston Museum is also pretty well "signaled", and has a lot They have many on the grounds, and a lot of signal stuff inside. For signal fans, the museum in Rosenberg is a must see, as Rosenberg thought enough of Tower 17 to have it relocated onto the museum Have Galveston and Rosenberg, both of which have great museums. Largest yard is the North Yard, however, the engine maintenance facilitiesĪre in the middle of the yard, and therefore out of reach from our cameras. They use MK-1500's as their power, and have around 23 of them. Operates in and around the port of Houston, the 4th largest port in the U.S. You also have the PTRA, the Port Terminal Railway Association, which Those railroads have now been replaced by BNSF and the UP who provide the ![]() Island, the MKT-Missouri-Kansas Texas, and the Missouri Pacific all coming into town. Mergers, you had the Santa Fe, the Union Pacific, the Southern Pacific, the Rock To include his description of Houston rail lines on my site. There was once an excellent railfan guide for railfanning Houston by Steve See while in Houston, and, because of the great highway system, nothing is too ![]()
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Excluding the twelve campaign missions, which all come in around 10 to 15 minutes in length, there’s very little else on offer – you can set up a custom game with bots any of the included maps, or jump online for some multiplayer dogfights to unlock more planes – but that’s just about all there is to it.Īs far as the aerial combat itself goes, it’s serviceable but far from what any would consider a simulation. Objectives have a tendency to shift unpredictability as events unravel, and there’s a decent variety of ground, air and sea targets for you to juggle your attention between which serves as a decent emulation of the high-stakes nature of real air combat.Īlthough the game prominently features some of the most pivotal air and sea battles of World War II, you can forget about there being anything in the way of a compelling narrative beyond the already apparent historical significance of these events. 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So I was bitterly disappointed to learn, upon watching it, that it was actually more of a spiritual successor than an actual sequel and that, unlike Blood+, its characters were vapid and their relationships with each other were shallow, its plot was nonsensical, and its tone was all over the place. To this very day Blood+ is one of my favourite shows, so I was ecstatic to learn that it was due a sequel and that CLAMP, who were still in my good books at the time (though not anymore), were behind its creation. I promise not to resort to cursing or making threats while writing this! Spoilers for Naruto/Naruto Shippuuden and Blood-C. It’s already gone sour.Following last week’s blog post on anime fans being angry people, here’s a list of the times when anime has made me angry. It’s unclear how much that would help anything, or whether it should even happen. Director Casey Hudson has alluded to the fact that fan reaction is going to play a role in DLC, but it seems unlikely that large changes will be made in the ending. it's a testament to player investment in the story that the ending has proved so rabidly divisive. It’s also possible that the writers wanted this moment for themselves. The impossible challenge of writing the infinte permutations of player choices into meaningful endings may have been too much. The need to make the game as friendly to new players as it was to returning players could have played a factor. It’s unclear what happened - time constraints or pressure from EA could have forced the team to rush an ending that should have had more time to develop. It feels like walking 100 miles to get lemonade only to get there and be told you can choose between a pair of shoes, some brass knuckles or a cheeseburger. The choices the player made throughout 100 hours of gameplay don’t have any effect, and a few eleventh hour decisions make all the small difference that’s available. They chose a lousy time to let it slip.Īt the end of the game, player control seemed to fall totally out of the equation. They let players take ownership of their character while keeping the narrative driving forward. The binary system, for its restrictions, allowed players to shape a character that reflected their decisions, and for a while the writers struck a great balance. The peak of the illusion of player control came at the end of ME2, when the player’s decisions really did determine the fates of every last crewmember aboard. ![]() It would seem that the developers had made a lot of improvements in the second game – some of those dialogue restrictions were smoothed out, and paragon and renegade interrupters made the choices feel much more fluid. I remember trying to play the first game with an even hand, and then I found that the game forced me to kill a squad member because I hadn’t committed to either track. It defines a struggle that Mass Effect has had since the beginning: allowing for player choice in the confines of what amounts to a linear story.įor me, the cracks in the illusion of choice became apparent as early as ME1: I was always frustrated with the way it shoehorned the player into the same old binary moral system: paragon and renegade, blue and red, good and evil. ![]() |
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